Thank you to those who contributed to the research for this book. I’ve lived in the Monterey Bay for fifteen years, but this project helped me grow closer to the place I call home. I acknowledge and honor the longstanding care for this land by the Amah Mutsun Tribal Band and Ohlone Native people, whose stewardship continues despite waves of oppression and dislocation. Thank you to the many agencies that protect and conserve Elkhorn Slough. Thank you to my daughter Rocket for being my trusty research buddy, kneeling on the front of my paddleboard and pointing out potential murder sites along the banks. Thank you to Robert Stephens for sharing historical documents, touring me through the real Roadhouse ranch, and patiently spelling the name of every plant and bird we encountered on the rolling hills above the slough. Thank you to Jess Grigsby and Kayak Connection for teaching me about the art and business of kayak touring. Thank you to Eileen Campbell, Mark Silberstein, and the Monterey Bay Aquarium for your illustrated guide to the flora and fauna of Elkhorn Slough. Thank you to Terry Corwin for explaining the legal intricacies of land trusts, and thanks to Doctors Rachel Abrams and Bill Skinner for always being up for a gruesome medical question. Despite all this excellent advice, I’m sure I made some mistakes. All errors and exaggerations are mine.
Everyone I’ve thanked so far got involved before we ever imagined this book would be published. But here it is! Real! Which is only possible because of the brilliant efforts of my agent, Stefanie Lieberman, ably assisted by Molly Steinblatt and Adam Hobbins. Stefanie, Molly, and Adam taught me so much about good writing, and they challenged me to keep adding depth and layers to this story.
Thank you to Stefanie for bringing this story to Liz Stein, my editor at William Morrow. I first met Liz by phone while I was laid up with COVID-19. Even through my fevered haze, I heard Liz’s vision for this book loud and clear. Thank you to Liz for steering me down creeks I might not have visited. Thank you for pushing me to put my whole heart into the Rubicon women—their goals, desires, conflicts, and most of all, the love they have for each other. I hope that love shines through.
The whole team at William Morrow has been wonderful to work with. As a debut novelist, I often felt I was stumbling into someone else’s serious business. Thank you to sensitivity readers Cath Liao and Alejandra Oliva for helping me realize the full potential of these characters. Thank you to Stephanie Evans, a wonderful copy editor, and to Kim Glyder and Nancy Singer for the stylish cover art and interior design. Thank you to marketing and publicity superstars Rachel Berquist, Danielle Bartlett, and Kathleen Carter, for helping readers find and connect with the Rubicons. And thank you to all the hardworking folks at William Morrow and HarperCollins who helped bring this book to life.
Finally, I’d like to thank you for reading this book. I wrote it to carve out a den of creative comfort for me and my mother. The idea that it might also bring some pleasure to you is beyond my wildest dreams. Wherever you are, whatever you’re dealing with, I hope this story reaches out and gives you a fierce little hug in the wilderness. I’m rooting for you, and for love.
About the Author
NINA SIMON has worn many hats: NASA engineer, slam poet, game designer, museum director, nonprofit CEO, and inclusive arts activist.
Her work on community participation in museums, libraries, parks, and theaters has been featured in the Wall Street Journal and the New York Times as well as on NPR and the TEDx stage.
MotherDaughter Murder Night is Nina’s first novel. She wrote it as a love letter to her mother, as a way to entertain, comfort, and connect with her
during a major health crisis. Born and raised in Los Angeles, Nina now lives off the grid in the Santa Cruz Mountains. More
information can be found on her website, ninaksimon.com.
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