“I don’t want to,” I say.
“Don’t want your boyfriend to see you looking so glamorous?” He smiles and jabs me with his finger. He is looking at me strangely, as if to say, This is who you are. You’ve been pretending that you’re someone else. Someone better. But you are just this.
He begins to laugh, loudly, wildly, as if something funny has happened but nothing has. Still laughing, he grabs my arm and draws it upward, as if he’s going to throw me over his back and carry me in fireman-style. I don’t want Charles to see that so I end the game. I say, flatly, “Don’t touch me.”
What happens next is a blur in my memory. I see only snapshots—of the sky flipping absurdly, of fists coming at me, of a strange, savage look in the eyes of a man I don’t recognize. I see my hands grasping the wheel, and I feel strong arms wrenching my legs. Something shifts in my ankle, a crack or a pop. I lose my grip. I’m pulled from the car.
I feel icy pavement on my back; pebbles are grinding into my skin. My jeans have slid down past my hips. I’d felt them peeling off me, inch by inch, as Shawn yanked my legs. My shirt has risen up and I look at myself, at my body spread flat on the asphalt, at my bra and faded underwear. I want to cover myself but Shawn has pinned my hands above my head. I lie still, feeling the cold seep into me. I hear my voice begging him to let me go, but I don’t sound like myself. I’m listening to the sobs of another girl.
I am dragged upward and set on my feet. I claw at my clothing. Then I’m doubled over and my wrist is being folded back, bending, bent as far as it will go and bending still. My nose is near the pavement when the bone begins to bow. I try to regain my balance, to use the strength in my legs to push back, but when my ankle takes weight, it buckles. I scream. Heads turn in our direction. People crane to see what the commotion is. Immediately I begin to laugh—a wild, hysterical cackle that despite all my efforts still sounds a little like a scream.
“You’re going in,” Shawn says, and I feel the bone in my wrist crack.
I go with him into the bright lights. I laugh as we pass through aisle after aisle, gathering the things he wants to buy. I laugh at every word he says, trying to convince anyone who might have been in the parking lot that it was all a joke. I’m walking on a sprained ankle, but the pain barely registers.
We do not see Charles.
The drive back to the site is silent. It’s only five miles but it feels like fifty. We arrive and I limp toward the shop. Dad and Richard are inside. I’d been limping before because of my toe, so my new hobble isn’t so noticeable. Still, Richard takes one look at my face, streaked with grease and tears, and knows something is wrong; Dad sees nothing.
I pick up my screw gun and drive screws with my left hand, but the pressure is uneven, and with my weight gathered on one foot, my balance is poor. The screws bounce off the painted tin, leaving long, twisting marks like curled ribbons. Dad sends me home after I ruin two sheets.
That night, with a heavily wrapped wrist, I scratch out a journal entry. I ask myself questions. Why didn’t he stop when I begged him? It was like getting beaten by a zombie, I write. Like he couldn’t hear me.
Shawn knocks. I slide my journal under the pillow. His shoulders are rounded when he enters. He speaks quietly. It was a game, he says. He had no idea he’d hurt me until he saw me cradling my arm at the site. He checks the bones in my wrist, examines my ankle. He brings me ice wrapped in a dish towel and says that next time we’re having fun, I should tell him if something is wrong. He leaves. I return to my journal. Was it really fun and games? I write. Could he not tell he was hurting me? I don’t know. I just don’t know.
I begin to reason with myself, to doubt whether I had spoken clearly: what had I whispered and what had I screamed? I decide that if I had asked differently, been more calm, he would have stopped. I write this until I believe it, which doesn’t take long because I want to believe it. It’s comforting to think the defect is mine, because that means it is under my power.
I put away my journal and lie in bed, reciting this narrative as if it is a poem I’ve decided to learn by heart. I’ve nearly committed it to memory when the recitation is interrupted. Images invade my mind—of me on my back, arms pressed above my head. Then I’m in the parking lot. I look down at my white stomach, then up at my brother. His expression is unforgettable: not anger or rage. There is no fury in it. Only pleasure, unperturbed. Then a part of me understands, even as I begin to argue against it, that my humiliation was the cause of that pleasure. It was not an accident or side effect. It was the objective.