As much as I’ve convinced myself that I’m back to my old self, Friday morning proves me wrong. I wake up later than planned after tossing and turning and incessantly checking my phone for We decided to meet up after all! Please come! texts that never came through. When I attempt to prepare myself for my meeting with Marian Hammersmith, I discover my makeup no longer matches my skin. Weeks of running outdoors has given me a tan.
I cringe at the sight of the contoured cheekbones with the pasty-looking foundation on top of it. I look three-toned, like a little girl who has discovered her mother’s makeup and mistakes eyeshadow for blush. It’s unfathomable that I haven’t realized this before now. Has it really been so long since I made myself up? The last time must have been two weeks ago, when I went to visit my mother with Deiss. It was off then, but manageably so. How is it possible I didn’t wear it to the concert last weekend? Washing my face clean, I try again with just mascara and blush, trying to convince myself that the natural look goes better with my grown-out highlights anyway.
Outside, smog has rendered the sky hazy, like the sun has risen but hasn’t yet shaken off its slumber. The walk to work takes longer than I remember. There are no greetings from neighbors. The air smells of exhaust and impatience.
Icy air-con hits me as I enter Infinity Designs. “Morning, Sal,” I say to the security guard.
“I thought I’d seen the last of you,” he says.
“Never,” I say. “Someone’s got to make cod-liver oil fashionable again.”
He laughs and waves me on, but the tiny bit of camaraderie bolsters me. I belong here, I remind myself as I wait for the same elevator I’ve gotten into every morning for the last seven years. This is where I thrive.
My conviction falters as the elevator zips upward. It must be because I skip my floor and go straight to Marian Hammersmith’s level, which feels a lot like showing up at school and being immediately summoned to see the principal. Her assistant greets me politely, though, and offers me a bottle of water before opening the door. I resist the urge to pat at my skirt.
“Olivia,” Marian says, her smile surprisingly warm. She waves me toward the two chairs in front of her desk. “It’s lovely to see you again.”
“It’s lovely to be back.” I slide into a seat, crossing my ankles. “I feel like I’ve been gone forever.”
“As do I.” She places her hands on the desk and tilts her head calculatingly. “Bob said he felt the need to offer you six weeks of unpaid leave. That is quite . . . unprecedented. Might I inquire as to what precipitated such an offer on his part?”
I have to admire the delicacy with which she’s phrased the question. We both know there are several reasons a person might need a block of time like that off—mental or physical health issues, some form of rehabilitation, or a death in the family—and all of them are fully within my right to keep to myself. Still, I don’t mind. She’s given me the opportunity to defend my actions, and I’m willing to tell her exactly what she wants to hear.
“Of course,” I say smoothly. “I’ve had a bit of personal trouble. My condo got robbed, and the perpetrator managed to get away with everything I own, including my personal laptop. Naturally, that allowed him access to my bank account, which he wiped clean. It’s all just been a very long and arduous process which has taken up way more of my time than I cared to give to that criminal. I do hope my time out of the office hasn’t thrown any projects off schedule. Mr. Dailey was the one who offered me the opportunity to give the matter my full attention.”
“Oh, Olivia.” Marian’s hand goes to her heart in an elegant display of sympathy. “I had no idea. What a terrible ordeal.”
“It’s been rough,” I admit bravely. “But women like us can’t let a little thing like that get us down. And, on the bright side, my account will be restored soon. So, there’s shopping to be done. New clothes and furniture and everything, really.”
“That explains it then,” Marian murmurs, her head tilted.
“My absence?”
“That”—she lifts a finger in the air and drops it to encompass the length of me—“and the rest of it. You don’t look quite as . . . tailored as you normally do. No offense, of course.”
A rush of embarrassment sweeps through me, but I manage to keep my expression neutral. “None taken. Clearly, the lapse is entirely situational.”
Our eyes meet, and there’s a moment of silence that feels charged with something I don’t understand. With a sharp nod, Marian ends it.