I just hope she’s sleeping.
If I picture her in a peaceful fucking slumber, I stop worrying. It’s the only thing keeping me grounded, keeping me right fucking here. Without that image, I’d lose my shit.
< 12 >
DAISY CALLOWAY
4:30 a.m.
Since I arrived in Paris three days ago, I’ve slept five hours, and I’m not really sure if it can be considered sleep. I woke up screaming and thrashing at an “invisible enemy” as Ryke calls it. I can barely even remember what was grabbing me in my nightmare, but that kind of sleep is something I don’t want to return to.
Right now I am pumped full of caffeinated drinks and diet pills. I used to smoke cigarettes, the nicotine high fairly decent to keep me awake during long shoots. But when Ryke started teaching me how to ride a motorcycle, he convinced me to stop smoking. I haven’t touched a cigarette since. I don’t crave the nicotine at all. I just ache for sleep or at least a shot of adrenaline.
On the runway yesterday, I literally thought I was floating across the glassy surface in five-inch heels. I wore a peacock headpiece. I was so close to flapping my arms, and in my mind, I had already raced off the stage, down the street and jumped into an ice cold lake. I have no idea why that sounds so appealing, but it does. Anything but standing around, waiting. Sitting in chairs, waiting. So much waiting. I can’t decide if I’m more bored or more tired.
I cup a steaming coffee while a stylist pulls every small strand of my hair into a braid. I look like Medusa or possibly a dreaded girl on Venice Beach. I’d think it was cool if it didn’t take so long. I shift so much in the seat that the stylist threatens to take my coffee away.
This job would suit a million other people better than it does me.
People buzz around us, constantly moving, but it’s usually not the models who are doing the buzzing. It’s production assistants wearing microphone headsets, holding clipboards, and makeup artists and designers. I am stationary. Basically no more human than an article of clothing that a PA carries on a hanger.
A brunette model with a splattering of freckles across her cheeks sits in a makeup chair next to me. She’s getting the same braid treatment. I met her about a month ago when she signed with Revolution Modeling, Inc. The same agency as mine. Our hotel rooms are across from each other. Christina is only fifteen and thin as a rail. She reminds me a little of how I was when I first began my career. Quiet, reserved, observant—just taking it all in.
She lets out her fourth big yawn.
“Here,” I say, passing her my coffee.
“Thanks.” She smiles. “My parents don’t usually let me drink caffeine, but I don’t think they’d mind if they saw how much I’m working.”
“They didn’t come?” I frown. My mom always supervised my time at Fashion Week. At first, I thought it was because she was protecting me, but later, I wondered if it was because she wanted to be a part of this world and was afraid of missing out. Now that seems more likely.
“No. They couldn’t afford to fly here.”
She’s from Kansas, and she said it almost bankrupt her parents just to go to New York at the chance of landing an agent. Now she’s the sole breadwinner for her family. I can’t imagine that, and I think having Christina around has humbled me a little more.
“If someone offers you coke,” I tell her, “I’d just say no, okay?”
Her eyes grow as she looks between both of our stylists, who don’t even flinch, and then back to me. Cocaine is a lot of people’s upper of choice. When I was fifteen, I tried it during Fashion Week. A guy shook a little plastic packet at me and said, “This’ll help you stay awake.”
Two lines later, I’d officially jumped into the deep end of adulthood—or what felt like grown up experiences.
Christina realizes that no one really cares that I admitted to cocaine circulating around, and she nods. “Yeah, okay.”
I lean back in the chair as soon as a makeup artist decides to work on me. I’m getting double duty, two stylists at once. She pinches my chin to turn my head towards her, and she stares disapprovingly at the bags underneath my eyes.
My stomach makes an audible noise, gurgling. The stylist hands me a granola bar.
“Just eat a couple bites,” she says. “You can throw it up later.”
“I’m not into the whole bulimic thing,” I say. “Or the anorexic thing.” I sense the makeup artist listening a little too closely. Sometimes I forget that they can sell anything I say to a gossip magazine. They’ll be identified as an “inside source” when they’re quoted. “Thanks for the bar,” I tell her. I’ll taste it. I’m too hungry not to.