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The Hunchback of Notre Dame(182)

Author:Victor Hugo

The terrified Vagrants wheeled about.

Quasimodo, who heard nothing, saw the naked swords, the torches, the pike-heads, the horsemen, at whose head he recognized Captain Ph?bus. He saw the confusion of the Vagrants,—the alarm of some, the consternation of the stoutest-hearted,—and he derived so much strength from this unexpected succor, that he hurled from the church the foremost assailants, who were already bestriding the gallery rails.

The king’s troops had actually arrived.

The Vagrants fought bravely; they defended themselves desperately. Taken in flank from the Rue Saint-Pierre-aux-B?ufs, and in the rear from the Rue du Parvis, driven close against Notre-Dame, which they were still assailing, and which Quasimodo was defending, at once besiegers and besieged, they were in the singular situation in which Count Henro d‘Harcourt afterwards found himself at the famous siege of Turin, in 1640,—between Prince Thomas of Savoy, whom he was besieging, and the Marquis de Leganez, who was blockading him. “Taurinum obsessor idem et obsessus,”dy as his epitaph says.

The conflict was frightful. As Père Mathieu puts it, “wolf’s flesh needs dog’s teeth.” The king’s cavaliers, among whom Ph?bus de Chateaupers comported himself most valiantly, gave no quarter, and the edge of the sword slew those who escaped the thrust of the lance. The Vagrants, ill-armed, foamed and bit. Men, women, and children flung themselves upon the cruppers and breast-pieces of the horses, and clung to them like cats with tooth and nail. Others blinded the archers by blows of their torches; others again struck iron hooks into the riders’ necks and pulled them down, cutting into pieces those who fell.

One man had a large shining scythe, with which he mowed the legs of the horses. It was a frightful sight. He sang a nasal song, and swept his scythe ceaselessly to and fro. At every stroke he cut a broad swath of dismembered limbs. He advanced thus into the thickest of the cavalry, with the calm deliberation, swaying of the head, and regular breathing of a mower cutting down a field of grain. This was Clopin Trouillefou. A shot from an arquebus at last laid him low.

Meantime, windows were again opened. The neighbors, hearing the battle-shouts of the king’s men, joined in the skirmish, and from every story bullets rained upon the Vagrants. The square was filled with thick smoke, which the flash of musketry streaked with fire. The front of Notre-Dame was vaguely visible through it, and the decrepit hospital the H?tel-Dieu, with a few wan patients looking down from the top of its roof dotted with dormer-windows.

At last the Vagrants yielded. Exhaustion, lack of proper arms, the terror caused by the surprise, the musketry from the windows, the brave onslaught of the king’s men, all combined to crush them. They broke through the enemy’s ranks, and fled in every direction, leaving the square heaped with corpses.

When Quasimodo, who had not stopped fighting for a single instant, saw this rout, he fell upon his knees and raised his hands to heaven; then, mad with joy, he ran, he climbed with the swift motion of a bird to that little cell, all access to which he had so intrepidly defended. He had but one thought now: that was, to kneel before her whom he had saved for the second time.

When he entered the cell he found it empty.

BOOK ELEVEN

CHAPTER I

The Little Shoe

When the Vagrants attacked the church, Esmeralda was asleep.

Soon the ever-increasing noise about the building, and the anxious bleating of her goat, which waked before she did, roused her from her slumbers. She sat up, listened, looked about; then, alarmed by the light and commotion, hurried from her cell to see what it all meant. The aspect of the square, the vision which she beheld, the disorder and confusion of this night attack, the hideous rabble bounding hither and thither like an army of frogs half seen in the darkness, the croaking of the hoarse mob, the few red torches moving and dancing in the darkness like will-o‘-the-wisps sporting on the misty surface of a marsh,—the whole scene produced upon her the effect of a weird battle waged by the phantoms of the Witches’ Sabbath and the stone monsters of the church. Imbued from infancy with the superstitious notions of the gipsy tribe, her first thought was that she had surprised the strange beings of the night in their sorceries. Thus she ran back to her cell in affright to hide her head, and implore her pillow to send her some less horrid nightmare.

Little by little, however, the first fumes of fear vanished; from the ever-increasing tumult, and from various other tokens of reality, she felt that she was beset, not by specters, but by human beings. Then her terror, without being augmented, changed its nature. She reflected upon the possibility of a popular revolt to tear her from her refuge. The idea of again losing life, hope, and Phoebus, whom she still hoped to win in the future, her own absolute defenselessness, all flight cut off, no help at hand, her forlorn condition, her isolation,—these thoughts and countless others overwhelmed her. She fell upon her knees, her face buried in the bed-clothes, her hands clasped above her head, full of agony and apprehension, and, gipsy, pagan, and idolater though she was, she began with sobs to entreat mercy of the good Christian God, and to pray to her hostess, Our Lady. For, believe in nothing though one may, there are moments in life when one belongs to the creed of whatever church is nearest.