“By the way, master,” suddenly observed Gringoire, “just as we made our way into the square through the angry Vagabonds, did your reverence note that poor little devil whose brains your deaf friend was about dashing out against the railing of the gallery of kings? I am near-sighted, and did not recognize him. Do you know who it could be?”20
The stranger made no answer, but he ceased rowing; his arms fell powerless; his head drooped upon his breast, and Esmeralda heard him heave a convulsive sigh. She shuddered; she had heard similar sighs before.
The boat, left to itself, drifted with the current for some moments. But finally the man in black drew himself up, again seized the oars, and began again to pull against the stream. He rounded the end of the Ile Notre-Dame, and bent his course towards the landing-place of the Hay-Market.
“Ah!” said Gringoire, “there’s the Logis Barbeau. There, master, look: that collection of black roofs which form such strange angles; there, beneath that mass of low, stringy, streaked, and dirty clouds, where the moon looks like the yolk of a broken egg. ‘Tis a handsome house. It contains a chapel capped by a tiny dome full of daintily wrought decorations. Above it you may see the bell-tower with its delicate tracery. There is also a pleasant garden, consisting of a fish-pond, an aviary, an echo, a mall, a labyrinth, a house for wild beasts, and a quantity of shady alleys most agreeable to Venus. There is also a rascally tree, which goes by the name of the Lovers’ Retreat, because it once hid the meetings of a famous French princess and a gallant and witty constable of France. Alas! we poor philosophers are to a constable what a bed of cabbages and radishes is to the gardens of the Louvre. What does it matter, after all? Human life, for the great as well as for us, is made up of mingled good and ill. Grief goes ever hand in hand with gladness, as the spondee with the dactyl. Master, I must tell you the story of this Logis Barbeau. It ends in tragic fashion. It was in 1319, during the reign of Philip V, the longest of all the French kings. The moral of the story is, that the temptations of the flesh are hurtful and pernicious. Do not look too often at your neighbor’s wife, much as your senses may be tickled by her beauty. Fornication is a very libertine thought. Adultery is curiosity about another’s pleasure. Hollo! The noise seems to be growing louder over yonder!”
The din around Notre-Dame was indeed increasing rapidly. They paused and listened. They distinctly heard shouts of victory. All at once a hundred torches, which lit up the glittering helmets of men-at-arms, appeared upon all parts of the church,—upon the towers, galleries, and flying buttresses. These torches seemed searching for some one or something; and soon distant cries of, “The gipsy! The witch! Death to the gipsy!” fell plainly on the ears of the fugitives.
The wretched girl hid her face in her hands, and the unknown boatman began to row frantically for the shore. Meantime our philosopher reflected. He hugged the goat in his arms, and edged very gently away from the gipsy, who nestled closer and closer to him, as her only remaining protector.
Gringoire was certainly cruelly perplexed. He considered that the goat too, “according to the existing law,” would be hanged if she were recaptured, which would be a great pity,—poor Djali! that it was quite too much of a good thing to have two condemned prisoners clinging to him at once; and, finally, that his companion asked nothing better than to take sole charge of the girl. A violent conflict went on within him, in which, like Jupiter in the Iliad, he alternately weighed the merits of the gipsy and the goat; and he gazed first at the one, then at the other, with tearful eyes, muttering, “After all, I cannot save you both!”
A shock warned them that the boat had reached shore. The ominous uproar still pervaded the City. The stranger rose, approached the gipsy, and tried to take her by the arm to help her to land. She repulsed him, and clung to Gringoire’s sleeve, while he, in his turn, absorbed in the goat, almost pushed her from him. Then she sprang from the boat unaided. She was so distressed that she knew not what she was doing, or where she was going. She stood thus stupefied an instant, watching the water as it glided by. When she had somewhat recovered her senses, she was alone upon the wharf with the stranger. It seems that Gringoire had taken advantage of the moment of their landing, and stolen away with the goat into the throng of houses in the Rue Grenier-sur-l‘Eau.21
The poor gipsy shuddered when she found herself alone with this man. She tried to speak, to cry out, to call Gringoire; her tongue clove to the roof of her mouth, and no sound issued from her lips. All at once she felt the hand of the unknown upon her arm. It was a cold, strong hand. Her teeth chattered, she turned paler than the moonbeams which illumined her face. The man said not a word. He strode rapidly towards the Place de Grève, holding her firmly by the hand. At that moment she vaguely felt that fate is an irresistible power. She had lost all control of her limbs; she suffered him to drag her along, running while he walked. The quay at this point rises abruptly from the river, but it seemed to her as if she were going down hill.