“What happened to your face?”
I knew she was referring to the thin scar that ran from my hairline to my jaw, which reinforced the impression of her youth. Adults usually wouldn’t bring it up. Instead, they’d pretend they hadn’t noticed. “Mortar round in Afghanistan. A few years back.”
“Oh.” She rubbed her nose with the back of her hand. “Did it hurt?”
“Yes.”
“Oh,” she said again. “I guess I’ll get going now.”
“All right,” I said.
She started back toward the road before suddenly turning around again. “It won’t work,” she called out.
“What won’t work?”
“The mothballs. Snakes don’t give a lick about mothballs.”
“You know that for sure?”
“Everyone knows it.”
Tell that to my grandfather, I thought. “Then what should I do? If I don’t want snakes on my porch?”
She seemed to consider her answer. “Maybe you should live in a place where there aren’t any snakes.”
I laughed. She was an odd one, for sure, but I realized that it was the first time I’d laughed since I’d moved here, maybe my first laugh in months.
“Nice meeting you.”
I watched her go, surprised when she slowly pirouetted. “I’m Callie,” she called out.
“Nice to meet you, Callie.”
When she finally vanished from view, blocked by the azaleas, I debated whether to continue putting out mothballs. I had no idea whether she was right or wrong, but in the end, I chose to call it a day. I was in the mood for some lemonade and wanted to sit on the back porch and relax, if only because my psychiatrist recommended that I take time to relax while I still had time.
He said it would help me keep The Darkness away.
*
My psychiatrist sometimes used flowery language like The Darkness to describe PTSD, also known as post-traumatic stress disorder. When I asked him why, he explained that every patient was different and that part of his job was to find words that accurately reflected the mood and feelings of the patient in a way that would lead the patient along the slow path toward recovery. Since he’d been working with me, he’d referred to my PTSD as turmoil, issues, struggle, the butterfly effect, emotion dysregulation, trigger sensitivity, and of course, The Darkness. It kept our sessions interesting, and I had to admit that darkness was about as accurate a description of the way I’d been feeling as any of them. For a long time after the explosion, my mood was dark, as black as the night sky without stars or a moon, even if I didn’t fully realize why. Early on, I was stubbornly in denial about PTSD, but then again, I’d always been stubborn.
In all candor, my anger, depression, and insomnia made perfect sense to me at the time. Whenever I glanced in the mirror, I was reminded of what had happened at Kandahar Airfield on September 9, 2011, when a rocket aimed at the hospital where I was working impacted near the entrance, only seconds after I’d exited the building. There is a bit of irony in my choice of words, since glancing in the mirror isn’t the same as it once was. I was blinded in my right eye, which means I have no depth perception. Staring at a reflection of myself feels a little like watching swimming fish on an old computer screen saver—almost real, but not quite—and even if I were able to get past that, my other wounds are as obvious as a lone flag planted atop Mount Everest. I’ve already mentioned the scar on my face, but shrapnel left my torso pockmarked like the moon. The pinkie and ring finger on my left hand were blown off—particularly unfortunate since I’m a lefty—and I lost my left ear as well. Believe it or not, that was the wound that bothered me the most about my appearance. A human head doesn’t look natural without an ear. I looked strangely lopsided and it wasn’t until that moment that I’d ever really appreciated my ear at all. In the rare times I thought about my ears, it was always in the context of hearing things. But try wearing sunglasses with just one ear and you’ll understand why I felt the loss acutely.
I haven’t yet mentioned the spinal injuries, which meant having to learn how to walk again, or the thrumming headaches that lingered for months, all of which left me a physical wreck. But the good doctors at Walter Reed fixed me up. Well, most of me, anyway. As soon as I was upright again, my care shifted to my old alma mater Johns Hopkins, where the cosmetic surgeries were performed. I now have a prosthetic ear—so well done I can hardly tell it’s fake—and my eye appears normal, even if it’s completely useless. They couldn’t do much about the fingers—they were fertilizer in Afghanistan by then—but a plastic surgeon was able to diminish the size of my facial scar to the thin, white line that it now is. It’s noticeable, but it’s not as though little kids scream at the sight of me. I like to tell myself that it adds character, that beneath the surface of the suave and debonair man before you exists a man of intensity and courage, who has experienced and survived real danger. Or something like that.