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What Lies Beyond the Veil(Of Flesh & Bone #1)

Author:Kai Harris

What Lies Beyond the Veil(Of Flesh & Bone #1)

Kai Harris

For my momma and my big sister.

For the three little girls who call me Momma.

And for my husband.

My definition of love was born with and lives with each of you, always. Keep teaching me how to love.

January 1995

I was the one who found Daddy dead, crammed in the little space where my old bike’s training wheels turned rusted. I hadn’t ever seen a dead body before, cept one funeral when all I really saw was one dead arm folded cross a still chest, cause Momma ain’t let me get close; and sometimes, too, in the cop shows Momma loved to watch before bed and I snuck and watched, pretending to sleep, tucked between Momma’s bony elbow and fast-beating chest. But Daddy was different. His skin, once deep brown, had turned dull gray like the sky when it rains and rains, and the sun hides behind full clouds til it’s too late to go out and play.

I was s’posed to be sleep, but I couldn’t sleep, so I crept down the creaky stairs looking for Daddy. He was always up late, too. I ain’t scream at first, when I found him there, cold. I just walked back up the steps, quiet like Momma always taught me, and pushed open her heavy bedroom door. When I told her, she screamed, so finally I screamed. Momma screaming felt heavier, scarier, more real than Daddy laying limp in that little space beneath the stairs.

Momma called the police, and they came with loud, red sirens. One officer peeked into all our drawers and cabinets, while the other draped yellow tape around our whole house til I barely recognized anything. I sat wrapped in a thick carpet blanket on the hard kitchen floor, trying my best to listen, but only being able to hear once, just as one cop whispered, “another fiend,” to the other. I ain’t know that word, fiend. But I had heard Momma yell it at Daddy sometimes on the days the basement steps would rot with a sour stench.

PART I

June 1995

1

“We there yet?” My big sister, Nia, unbuckles her seat belt and lays cross the back seat beside me. Her skin shimmers in the sun from a half-cracked window, which lets a tiny breeze slide in that carries her cottony hair back and forth, up and down. People say Nia’s the one who looks like Momma. They have the same oval eyes and mahogany skin. My eyes are rounder and my skin pale yellow, like the color of french fries that ain’t quite cooked.

Momma ignores Nia’s question. Probably cause it’s bout the tenth time she’s asked. My nose finds the smell of rotten banana and that’s got me thinking back to that night, almost six months ago now. The smell fills the car, just like the stench in our old basement that stuck around even after Daddy was buried. I dig my hands into the seat cushions and touch something sticky, but it’s more peppermint sticky than banana sticky. Days ago, laying with a book in the back seat, one of my favorite places now, I got interrupted by Momma and Nia, right outside the car door and yelling, like always. They ain’t see me, so I crept out before they could, hiding the banana I was just bout to bite. I hid it in a perfect place to come back for later, once all the fighting finally stopped. But it never did, and now I can’t remember where I put it. I rub my eyes as I look around. I wanna fall asleep, but now I’m awake and smelling that stink.

Nia don’t look my way, just stares out the window, so I stare out the window. Ain’t nothin’ but flat green spaces. Cars speed by on both sides. I like that Momma drives slower than the other cars, cause then I don’t get carsick. I count signs bigger than me as they blur cross my reflection in the car window. There’s one for Toys“R”Us with a big picture of the new Easy-Bake Oven and Snack Center right in the middle. A now open sign for a new restaurant called Ponderosa. And one with a picture of a bunch of kids playing with dirt, and words at the bottom that say: new name, same fun. visit impression 5 science center, ahead in 28 miles. I wanna ask Momma to stop—for the restaurant or the science center, mostly, but even a toy would do—but I know we ain’t gon’ stop. So I count and count and get to twenty-two, then I’m bored.

I find my book between the seat cushions and open to the first page. This gon’ be my third time reading this book bout Anne, the Green Gables girl. I wonder what a gable is, and why it’s s’posed to be green. I can’t always understand the kind of words she’s using cause nobody I know talks all proper like that, but in some ways, Anne is just like me, so it’s my best book. Besides, even if I don’t always get her way of talking, I like the sound of her words, all big and eloquent. Ever since I picked it from my school’s Lost and Found, I been reading bout Anne and even learning how to talk like her. I ain’t ever had too many books of my own, so when nobody at my school came for it, I did.

The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky-white bloom, hummed over by a myriad of bees. I roll the new words over my tongue slow like dripping honey. Myriad, myriad, myriad. Orchard, what is an orchard? Bridal flush of pinky-white bloom. Sometimes I try to use words like in my book, but when I do Nia teases me, saying I don’t even know what I’m talking bout. But even if me and Anne don’t look the same, we can still talk the same and be alike in other ways.

I read six more pages bout Anne showing up in Avonlea and tryna fit in where she don’t belong; then there’s a loud clanking sound and the car slows down. Momma mutters a bad word under her breath, the one that starts with D. I said that word once, just to test it out when nobody could hear me. It felt good. I repeat it now in my head like a silent chant, once for each time our car has stopped working—maybe twelve since we got it bout a year ago—but at some point, I stopped counting. Seems like our old Dodge Caravan—nicknamed Carol Anne like the girl in that scary Poltergeist movie—breaks more than it works.

“Nia, KB. Get out and push.” We know what Momma is gon’ say before she says it, so my seat belt is already undone, and Nia is halfway out the car by the time she finishes the sentence. We step out into the sun, at the top of a stubby hill where the smoking car is stalled. Back when Daddy used to push the car, his muscles would grow big as he pushed, sometimes even up a hill. I am happy we get to go down the hill, at least.

“This is stupid,” Nia mutters, but I pretend not to hear. Instead, I keep quiet, we keep pushing, and Momma keeps steering and smiling.

Momma always smiles, even in the bad times. Her smile is like a gigantic, dripping ice cream cone, after I stuff my belly full with dinner. Even with a stomachache, I want that smile. I need that smile more than bout anything in the world, I think. Momma has different smiles for different things. This smile, when the car hisses and puffs and then stops, is squeezed tight cross her face like the drawn-on smile of a plastic doll.

“Ugh!” Nia groans from the other side of the car. I still pretend not to hear, wiping sweat from my forehead and squinting up at the hot sun as I take off my favorite rainbow jacket with holes where there should be pockets, then tie it around my waist. Carol Anne don’t take too much muscle to push, probably cause we going down a hill, and also cause we ain’t got much stuff with us. We drove straight from the Knights Inn that’s been home ever since we lost our real house, before we even had a chance to finish crying for Daddy. Before this, we never stayed at a motel. It smelled like cigarettes mixed with fried chicken grease and sometimes we found bugs in the mattress, but it had good stuff, too. Our first day there, Nia showed me how to trick the vending machine while Momma talked to the man at the front desk.

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