My father loved any excuse to drive. He was devoted to his car, a bronze-colored two-door Buick Electra 225, which he referred to with pride as “the Deuce and a Quarter.” He kept it buffed and waxed and was religious about the maintenance schedule, taking it to Sears for tire rotations and oil changes the same way my mom carted us kids to the pediatrician for checkups. We loved the Deuce and a Quarter, too. It had smooth lines and narrow taillights that made it look cool and futuristic. It was roomy enough to feel like a house. I could practically stand up inside it, running my hands over the cloth-covered ceiling. This was back when wearing a seat belt was optional, so most of the time Craig and I just flopped around in the rear, draping our bodies over the front seat when we wanted to talk to our parents. Half the time I’d pull myself up on the headrest and jut my chin forward so that my face could be next to my dad’s and we’d have the exact same view.
The car provided another form of closeness for my family, a chance to talk and travel at once. In the evenings after dinner, Craig and I would sometimes beg my dad to take us out for an aimless drive. As a treat on summer nights, we’d head to a drive-in theater southwest of our neighborhood to watch Planet of the Apes movies, parking the Buick at dusk and settling in for the show, my mother handing out a dinner of fried chicken and potato chips she’d brought from home, Craig and I eating it on our laps in the backseat, careful to wipe our hands on our napkins and not the seat.
It would be years before I fully understood what driving the car meant to my father. As a kid, I could only sense it—the liberation he felt behind the wheel, the pleasure he took in having a smooth-running engine and perfectly balanced tires humming beneath him. He’d been in his thirties when a doctor informed him that the odd weakness he’d started to feel in one leg was just the beginning of a long and probably painful slide toward immobility, that odds were that someday, due to a mysterious unsheathing of neurons in his brain and spinal cord, he’d find himself unable to walk at all. I don’t have the precise dates, but it seems that the Buick came into my father’s life at roughly the same time that multiple sclerosis did. And though he never said it, the car had to provide some sort of sideways relief.
The diagnosis was not something he or my mother dwelled upon. We were decades, still, from a time when a simple Google search would bring up a head-spinning array of charts, statistics, and medical explainers that either gave or took away hope. I doubt he would have wanted to see them anyway. Although my father was raised in the church, he wouldn’t have prayed for God to spare him. He wouldn’t have looked for alternative treatments or a guru or some faulty gene to blame. In my family, we have a long-standing habit of blocking out bad news, of trying to forget about it almost the moment it arrives. Nobody knew how long my father had been feeling poorly before he first took himself to the doctor, but my guess is it had already been months if not years. He didn’t like medical appointments. He wasn’t interested in complaining. He was the sort of person who accepted what came and just kept moving forward.
I do know that on the day of my big piano recital, he was already walking with a slight limp, his left foot unable to catch up to his right. All my memories of my father include some manifestation of his disability, even if none of us were quite willing to call it that yet. What I knew at the time was that my dad moved a bit more slowly than other dads. I sometimes saw him pausing before walking up a flight of stairs, as if needing to think through the maneuver before actually attempting it. When we went shopping at the mall, he’d park himself on a bench, content to watch the bags or sneak in a nap while the rest of the family roamed freely.
Riding downtown for the piano recital, I sat in the backseat of the Buick wearing a nice dress and patent leather shoes, my hair in pigtails, experiencing the first cold sweat of my life. I was anxious about performing, even though back at home in Robbie’s apartment I’d practiced my song practically to death. Craig, too, was in a suit and prepared to play his own song. But the prospect of it wasn’t bothering him. He was sound asleep, in fact, knocked out cold in the backseat, his mouth agape, his expression blissful and unworried. This was Craig. I’d spend a lifetime admiring him for his ease. He was playing by then in a Biddy Basketball league that had games every weekend and apparently had already tamed his nerves around performing.
My father would often pick a lot as close to our destination as possible, shelling out more money for parking to minimize how far he’d have to walk on his unsteady legs. That day, we found Roosevelt University with no trouble and made our way up to what seemed like an enormous, echoing hall where the recital would take place. I felt tiny inside it. The room had elegant floor-to-ceiling windows through which you could see the wide lawns of Grant Park and, beyond that, the white-capped swells of Lake Michigan. There were steel-gray chairs arranged in orderly rows, slowly filling with nervous kids and expectant parents. And at the front, on a raised stage, were the first two baby grand pianos I’d ever laid eyes on, their giant hardwood tops propped open like black bird wings. Robbie was there, too, bustling about in a floral-print dress like the belle of the ball—albeit a matronly belle—making sure all her students had arrived with sheet music in hand. She shushed the room to silence when it was time for the show to begin.
I don’t recall who played in what order that day. I only know that when it was my turn, I got up from my seat and walked with my very best posture to the front of the room, mounting the stairs and finding my seat at one of the gleaming baby grands. The truth is I was ready. As much as I found Robbie to be snippy and inflexible, I’d also internalized her devotion to rigor. I knew my song so well I hardly had to think about it. I just had to start moving my hands.
And yet there was a problem, one I discovered in the split second it took to lift my little fingers to the keys. I was sitting at a perfect piano, it turned out, with its surfaces carefully dusted, its internal wires precisely tuned, its eighty-eight keys laid out in a flawless ribbon of black and white. The issue was that I wasn’t used to flawless. In fact, I’d never once in my life encountered it. My experience of the piano came entirely from Robbie’s squat little music room with its scraggly potted plant and view of our modest backyard. The only instrument I’d ever played was her less-than-perfect upright, with its honky-tonk patchwork of yellowed keys and its conveniently chipped middle C. To me, that’s what a piano was—the same way my neighborhood was my neighborhood, my dad was my dad, my life was my life. It was all I knew.
Now, suddenly, I was aware of people watching me from their chairs as I stared hard at the high gloss of the piano keys, finding nothing there but sameness. I had no clue where to place my hands. With a tight throat and chugging heart, I looked out to the audience, trying not to telegraph my panic, searching for the safe harbor of my mother’s face. Instead, I spotted a figure rising from the front row and slowly levitating in my direction. It was Robbie. We had brawled plenty by then, to the point where I viewed her a little bit like an enemy. But here in my moment of comeuppance, she arrived at my shoulder almost like an angel. Maybe she understood my shock. Maybe she knew that the disparities of the world had just quietly shown themselves to me for the first time. It’s possible she needed simply to hurry things up. Either way, without a word, Robbie gently laid one finger on middle C so that I would know where to start. Then, turning back with the smallest smile of encouragement, she left me to play my song.